JOOST SMIERS & MARIEKE VAN SCHIJNDEL. Imagining a world without copyright. Copyright once was a means to guarantee artists of a decent income. About Joost Smiers from the University of Chicago Press website. Bittere tranen, goede moed: er is meer aan de horizon dan Trump en dat is pas ├ęcht gevaarlijk. 11 May by Joost Smiers. Currently unavailable.

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Joost Smiers / European Culture Congress

Description With Joost Smiers. If the file has been modified from its original state, some details such as the timestamp may not fully reflect ssmiers of the original file.

You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. If we recognize that copyright is unfeasible, and unjustifiable, what should moost response be?

Joost Smiers – Wikipedia

Thus, let us imagine what abolishing copyright would accomplish, while we smidrs not hesitate cutting cultural conglomerates into many pieces. She works in the cultural field in the Netherlands. Immediately comes to mind that copyright provides an investment protection to blockbusters, best sellers and stars. Views View Edit History. By using this site, you agree to the Terms of Use and Privacy Policy. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.


Promoting Cultural Diversity in smuers Age of Globalization has been translated into ten languages.

This file is licensed under the Creative Commons Attribution 2. His Arts Under Pressure.

Joost Smiers

This file has an extracted image: She lives in Utrecht. With Joost Smiers cropped. It distorts cultural markets and pushes a wide variety of cultural expressions out of sight.

See the license information for further details. Franco Iacomella Joost Smiers. Smierw file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.

Summary [ edit ] Description With Joost Smiers. He lives in Amsterdam. This image was originally posted to Flickr. From Wikimedia Commons, the free media repository. Institute of Network Cultures, Amsterdam And even more important effect would be the restoration of our public domain of creativity and knowledge.

Marieke van Schijndel is a cultural scientist and MBA graduate. Retrieved from ” https: The result is a level playing field in which many, and many more artists can make a decent living.


This page was last edited on 1 Juneat The following page uses this file: At the same time, cultural conglomerates controlling copyright dominate cultural markets by owning the means of production, distribution, marketing and reception of cultural expressions. Its license was verified as “cc-by From the perspective of democracy and fair competition this type of market control is not to be tolerated.