Watch the video for Irlandaise from Claude Bolling’s Suite for Flute and Jazz Piano for free, and see the artwork, lyrics and similar artists. Stream claude bolling Irlandaise from suite for flute and jazz piano trio by user from desktop or your mobile device. Find album reviews, stream songs, credits and award information for Claude Bolling: Suite for Flute and Jazz Piano Trio – Claude Bolling, Jean-Pierre Rampal .
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His Suite for Flute and Jazz Piano Trio with Jean-Pierre Rampala mix of Baroque elegance with modern swing, has been a top seller for many years, and was followed up by other works in the same vein. Here and there, Bolling and company manage to get Rampal to loosen his tie. Versatile with Bass Flute.
Views Read Edit View history. Jean-Pierre Rampal may never get down and dirty on this bollinb, considered “his first jazz recording,” but the music is nonetheless infectious, breezy, playful, and crystal clear.
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Versatile with Bass Flute Claude Bolling. Retrieved from ” https: Baroque and blue Claude Bolling. The legendary flutist is so technically accomplished that anything too “swinging” from him seems a bit stiff, but this is where drummer Marcel Sabianibassist Mel Young, and legendary jazz pianist and friend of Duke Ellington Claude Bolling take over, all making these compositions seem jazzier than they are on paper.
It was particularly popular in the United States, at the top of the hit parade for two years after its release and on the Billboard top 40 for weeks, roughly ten years. This page was last edited on 15 Decemberat Drinking Hanging Out In Love. Streams Videos All Posts.
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As an example, both “Baroque and Blue” and “Sentimentale” flirt with the morning air, with themes that somewhat separate Rampal ‘s fluttering passages from all boolling hipster riffs. Retrieved July 19, Bolling’s books on jazz technique show that he did not delve far beyond bebop into much avant-garde irlanxaise. A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel HamptonRoy Eldridgeand Kenny Clarke. Track for track, note for note, there is nothing substandard about these “clazzical” hybrids.